A "fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan Williams had completed the scores for his first symphony ("The Sea") and the Tallis fantasia. In
This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is
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The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made